Handboek digitaliseren van analoge audiovisuele objecten (beeld en geluid)

Contents: Inhoud Inleiding 1. Doelstellingen bepalen 2. Beslissingstabel 3. Auteursrechten 4. Selectie materiaal 5. Analyse materiaal 6. Materiële voorbereiding 7. Bepalen kwaliteitsvereisten 8. Digitaliseren 9. Digitale restauratie 10. Kwaliteitscontroles 11. Raadplegingskopieën 12. Archivering en opname in digitaal depot 13. Glossarium 14. Literatuurlijst This deliverable from the Archipel project describes all the process steps involved in digitizing analogue audio, video and …

Refining Conversion Contract Specifications: Determining Suitable Digital Video Formats for Medium-term Storage

Contents: What is this document? Video preservation in a digital context Practice variation at the Library and in the wider community Options for an interim approach About classes and categories Category 1. Analog source Category 2. Digital source (media dependent, non-transcoded transfer possible Category 3. Digital source (media dependent, transcoded transfer required Category 4. Digital source (media independent “file based”) …

Digital Agenda for the European Film Heritage

This report focuses on the preservation of, and the access to European cinematographic heritage. The report is based on a survey launched in January 2011 to assess the impact of digitisation for European film archives. The survey was conducted by peacefulfish Productions Ltd, subcontractors were Red Cat Technologies, the University of Helsinki/IPR University Center and the external expert Nicola Mazzanti. …

Goodbye, Dawson City, Goodbye

This article from the April 2011 issue of the AMIA Tech Review has as its subtitle Digital Cinema Technologies from the Archive’s Perspective: Part 2. It opens with twelve ‘lessons’ learned concerning the long term preservation and management of digital cinema works. They are followed by what the author calls ‘thinking out loud’: eight ‘worries’ about analog collection management resulting …