Accessing and managing file-based born digital video

This presentation given at the 2009 AMIA conference, offers a strategy and workflow for accessioning and managing file-based digital video (video that is recorded digitally at its point of creation, not Digital Betacam tapes or files that have been digitized from analog media such as U‐matic or Betacam SP). It describes how to take advantage of existing embedded technical and …

Media Art Resource: Preservation

Contents: Single Channel Video Computer Based Arts Installation. Each of these sections has the following subsections: Introduction Best Practices Basic Questions Planning Process Condition Reports Budget Equip/Tech Issues Interviews Case Studies Articles. This site for media arts creators and collectors provides information for the preservation of single channel video artworks, computer based art and installation art. It presents best practices, …

Media Preservation Survey: A Report

Contents: Foreword List of Tables Executive Summary 1 Introduction 2 Units with Media Holdings 3 Media Types and Formats 4 Preservation Risk: Degradation and Obsolescence 5 Research Value 6 Reformatting 7 Discovery, Use and Growth 8 Storage 9 Campus Resources 10 Conclusion: Campus Needs and Recommendations Epilogue Appendix A: Survey Methodology. This study identifies the characteristics and condition of audio, …

Audio Engineering Society Historical Committee Website

Contents: Audio Engineering History Dr Steven Schoenherr’s “Recording Technology History” Digital Audio Engineering Disk (Mechanical) Recording Magnetic Recording Analog Magnetic Tape Motion Pictures, History of Audio Engineering in … Volume Indicators (“vu meters”) Personal Histories Company Histories. Een sectie van de AES website die is gericht op de geschiedenis van audio- techniek, inclusief audiodragers en audio-opname. De sectie werd verzorgd …

Journal of Film Preservation

Contents: Gevarieerd per uitgave. Het “Journal of Film Preservation” biedt een platform aan zowel algemene als gespecialiseerde discussies over alle theoretische en technische aspecten van de werkprocessen van archieven met collecties bewegend beeld. Geen primaire bron voor audiovisuele archiefzaken. Biedt wel – vooral in de technische kolommen – goede informatie over filmdragers, opslagissues, restauratie etc. Latere uitgaven bevatten meer artikelen …