DCC Digital Curation Manual- File Formats

This chapter from the Digital Curation Manual, File Formats, begins with a conceptual framework for format and then goes on to discuss different aspects of format description, validation and characterization. It explains how format relates to the long term curation and usability of digital data and includes overviews of related projects and developments in the field as well as describing …

Images of the Past. 7 years of Images for the Future

Over a period of seven years Sound and Vision, EYE Film Institute, the National Archives and Kennisland preserved over 90,000 hours of video, 20,000 hours of film, some 100,000 hours of audio and 2,500,000 photos. The digitised material is now being reused for numerous purposes, from learning material and Wikipedia to apps and services for the creative industry. Images for the …

D22.9 Annual Report on Preservation Issues for European Audiovisual Collections (2008)

Contents: 1. Document Scope 2. Executive Summary 3. Update on audiovisual digitisation projects and technology 4. Activities supporting audiovisual preservation 5. Preserving Files 6. Access 7. The PrestoSpace Year in Review 8. Life After PrestoSpace. This survey report describes audiovisual preservation and access initiatives underway in 2007. It covers the employment of automation technology, provides a ‘short list’ of major …

D13.4 Digital Repositories Explained

Contents: 1. Document Scope and Summary 2. Definition of Digital Repository &nbsp 3. Electronic Access 4. Why Digital Repositories Matter &nbsp 5. Requirements for an Audiovisual Digital Repository 6. Repository Standards 7. Repository Technology 8. Services, Costs and Conclusions 9. References. Dit document benoemt de vereisten voor veilige, duurzame digitale opslag met bijzondere aandacht voor het digitaliseren van audiovisuele materialen. …