Alle items met de tag “Auteursrecht”
Contents: Inhoud Inleiding 1. Doelstellingen bepalen 2. Beslissingstabel 3. Auteursrechten 4. Selectie materiaal 5. Analyse materiaal 6. Materiële voorbereiding 7. Bepalen kwaliteitsvereisten 8. Digitaliseren 9. Digitale restauratie 10. Kwaliteitscontroles 11. Raadplegingskopieën 12. Archivering en opname in digitaal depot 13. Glossarium 14. Literatuurlijst This deliverable from the Archipel project describes all the process steps involved in digitizing analogue audio, video and …
Contents: Executive summary Introduction Part One–General Access to Audiovisual Heritage 2011 Status Report: 1. Providing access for different user groups through the digital content lifecycle 2. Trends in online access 3. Business models and added value of online audiovisual collections Part Two–Access to Audiovisual Heritage in the Educational Domain : 4. E-Learning 5. Value proposition and revenue models in education …
Contents: 1. Introduction 2. The digital single market for audiovisual media services 3. Policy approaches 4. Rights holder’s remuneration for online exploitation of audiovisual works 5. Special uses and beneficiaries 6. Next steps Met deze Green Paper opent de Europese Commissie de discussie over de mogelijkheden en uitdagingen van de online verspreiding van audiovisuele werken en het clearen van rechten …
The “Glossary of Rights” provides definitions for a broad list of terms commonly used in negotiations of rights on audiovisual contents. It represents a proposal for the use of a shared terminology for the negotiation and management of rights and it is also at the basis of the PrestoPRIME AudioVisual Rights Ontology. It includes translations into French, German and Italian, …
Unlike archiving most other artifacts and objects, film preservation has always been heavily dependent on industry practice. The complicated and vast machinery involved in shooting, duplication, processing and projection of new films has been the same ones used for preserving and presenting film heritage. The recent shift from analogue to digital technology in capture, post-production and distribution of cinematographic works …
Archives across the Netherlands are tasked to make their archives accessible online. However, progress has been slow, not least because it is difficult to determine who owns the rights to make works available online. Focusing on the Dutch public service radio and TV broadcasting sectors, this book adresses this challenge. First, it disentangles the nature of broadcasts by providing guidance …
