This paper discusses the importance of the ‘paleo- soundscapes’ of remote natural habitats as unique footprints of the systemic behaviour of healthy ecosystems and proposes considering them as intangible heritage to be urgently recorded and preserved. The interdisciplinary project Fragments of Extinction has worked toward preserving that ecological heritage through multidimensional sound recording eldwork in primary equatorial rainforests since 2002. …
All you need is love: The preservation of photographic collections here, there and everywhere
Preservation of photographic materials, both physical and digital, presents numerous challenges, and photographic collections are at risk world-wide. In response to this danger, regional partners have worked with international organizations to forge global training initiatives and platforms centred on experiential learning and designed with curricula tailored to speci c climates, geographies, needs and outcomes. paper highlights three forward-thinking e orts. …
Open access: a challenging opportunity for audiovisual archives
In the broadest sense, archives are an embodiment of cultural artefacts that endure as signifiers of who we are and why. They are both a place of representation of these signifiers and their institutional form, providing tangible evidence of memory as well as defining memory institutionally within prevailing political systems and cultural norms. The principle of offering equal and open …
The Legatum initiative: Challenges and alternatives to a Brazilian experiment of remote access
This paper summarizes the preliminary findings of the second phase of a research project entitled Digital Challenges and Alternatives for the Safeguarding and Dissemination of Public Audiovisual Archival Heritage (2013–2016). The final phase, lasting three years, is currently in progress and will finish in 2019. The project has collected data on audiovisual archives across Brazil, inquiring about collections scopes, environments, …
`This is what you want, this is what you get´: Matching real training needs to delivery
There are limited training options for audiovisual archivists, with most formal courses centred in Europe or the United States of America, but high costs can prevent people working in audiovisual archives from accessing these opportunities. However, there are significant collections of audiovisual heritage spread across the globe, not the least in Southeast Asia and the Pacific region, that are at …
Challenges at the Europeana Space Project: Dance and the intersections between copyright and intangible cultural heritage
Digital technologies enable us to visualize dance in new ways and to capture recordings of dance which may be preserved and handed down to future generations. In this way, dance starts to become part of our intangible cultural heritage. But capturing dance also raises questions of authorship and ownership of copyright in both the dance and the recording of the …